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Admission Tests GRE Exam Syllabus Topics:

Admission Tests GRE General Test Sample Questions:

1. The efficacy of a placebo may not _________ deception: inert sugar pills have been shown to reduce the symptoms of irritable bowel syndrome even in patients who were explicitly told they were receiving a placebo.

A) preclude
B) circumvent
C) require
D) mitieate
E) justify

2. Writing for the New York Times in 1971. Saul Braun claimed that - todays superhero is about as much like his predecessors as today's child is like his parents." In an unprecedented article on the state of American comics,
"Shazam Here Comes Captain Relevant. Braun wove a story of an industry whose former glory producing jingoistic fantasies of superhuman power in the 1930s and 1940s had given way to a canny interest in revealing the power structures against which ordinary people and heroes alike struggled following World War II Quoting a description of a course on Comparative Comics" at Brown University, he wrote, 'New heroes are different-they ponder moral questions, have emotional differences, and are just as neurotic as real people.
Captain America openly sympathizes with campus radicals.. Lois Lane apes John Howard Griffin and turns herself black to study racism, and everybody battles to save the environment."" Five years earlier. Esquire had presaged Braun s claims about comic books: generational appeal, dedicating a spread to the popularity of superhero comics among university students in their special 'College Issue." As one student explained. "My favorite is the Hulk. I identify with him, he's the outcast against the institution.'1 Only months after the NW York Times article saw print. Rolling Stone published a six-page expose on the inner workings of Marvel Comics, while Ms. Magazine emblazoned Wonder Woman on the cover of its premier issue-declaring s Wonder Woman for President'' no less-and devoted an article to the origins of the latter-day feminist superhero.
Where little more than a decade before comics had signaled the moral and aesthetic degradation of American culture, by 1971 they had come of age as America's "native art::: taught on Ivy League campuses, studied by European scholars and filmmakers, and translated and sold around the world, they were now taken up as a new generation's critique of American society. The concatenation of these sentiments among such diverse publications revealed that the growing popularity and public interest in comics (and comic-book superheroes) spanned a wide demographic spectrum, appealing to middle-class urbamtes, college-age men. members of the counterculture, and feminists alike. At the heart of this newfound admiration for comics lay a glaring yet largely unremarked contradiction: the cultural regeneration of the comic-book medium was made possible by the revamping of a key American fantasy figure, the superhero, even as that figure was being lauded for its realism"" and social relevance."" As the title of Braun's article suggests, in the early 1970s, "relevance" became a popular buzzword denoting a shift in comic-book content from oblique narrative metaphors for social problems toward direct representations of racism and sexism, urban blight, and political corruption.
Which of the following best characterizes the relationship between the first and second paragraphs?

A) The first paragraph describes a trend: the second analyzes that trend.
B) The first paragraph presents an account of a phenomenon: the second questions the validity of that account.
C) The first paragraph introduces a problem; the second discusses a possible solution to that problem.
D) The first paragraph characterizes a phenomenon; the second offers two alternative explanations of that phenomenon.
E) The first paragraph establishes a framework: the second relates a specific case to that framework

3. Harriet Monroe, who founded Poetry: A Magazine of Verse in 1912. argued that the more heterogeneous and sprawling the modem world became, the more poetry needed "an entrenched place, a voice of power." Hut this goal could only be realized if poets were valued in ways that encouraged them to participate in the world and made writing verse economically viable. Monroe argued that poets needed sites of institutional opportunity like those that had been developed for visual artists, architects, and musicians. She believed that the hand-wringing anticapitalism dominating genteel literary culture-particularly the idea that poetry ought to be removed from "sordid" pecuniary considerations-brought no economic and only illusory aesthetic benefits, instead severing poets from meaningful participation in the modern world.
The passage suggests that Monroe believed that finding "an entrenched place, a voice of power" for poetry would rely on which of the following?

A) Providing poets with a refuge from the sprawling modem world
B) Ensuring that poetry as an art could remain free of economic considerations
C) Creating institutional opportunities for poets to make their work economically viable

4. Exhibit.

In 2017, if 19 percent of the maize production that was used for feed was used for dairy cows, approximately how many tonnes of the maize production was feed used for dairy cows'1

A) 181 million
B) 27 million
C) 70 million
D) 145 million
E) 215 million

5. Harriet Monroe, who founded Poetry: A Magazine of Verse in 1912. argued that the more heterogeneous and sprawling the modem world became, the more poetry needed "an entrenched place, a voice of power." But this goal could only be realized if poets were valued in ways that encouraged them to participate in the world and made writing verse economically viable. Monroe argued that poets needed sites of institutional opportunity like those that had been developed for visual artists, architects, and musicians. She believed that the hand-wringing anticapitalism dominating genteel literary* culture-particularly the idea that poetry ought to be removed from "sordid" pecuniary considerations-brought no economic and only illusory aesthetic benefits, instead severing poets from meaningful participation in the modern world.
The author mentions "visual artists, nrchitecis. and musicians" primarily lo

A) highlight what Monroe regarded as a contrast between the economic needs of poets and those of other artists
B) illustrate the point that some art forms are inherently more economically viable than others
C) note a challenge that Monroe faced when attempting to implement her ideas
D) explain Monroe's ideas about measures that would advance poetry
E) acknowledge that anticapitalism had not hail undesirable consequences for all art forms

Solutions: